Karpendonkse Plas parkrun, Eindhoven

Karpendonkse Plas parkrun route
Karpendonkse Plas parkrun route. Start near bottom left, next to the lake, and move away from it.

Karpendonkse Plas is a lake in the NE of Eindhoven, next to the Technische Universiteit. If coming from town, you could walk through the campus, or there’s a path to the North of it that follows the river. There is plenty of parking right next to the start.

The lake in sunshine
Karpendonkse Plas.

I stayed in Helmond, where there’s a cheap and quirky backpackers, which meant a quick hop on the train (buy your tickets online to save a euro off the price, making it €3.40 each way). I caught the 7:45, but as the journey is only 10 minutes or so, and the lake a couple of kms away, a later one would have done just fine.

There is a fabulous sports complex near the route, but it isn’t open before the event. I didn’t know that, but had used the toilets at the station in any case (€0.70). It is open afterwards, allowing you to wander past the athletes of Eindhoven Atletiek, running and jumping, if you head for a drink. The running club there – 1,500 members strong, and the original club of Sifan Hussan, among others – is supportive of the event, with members in the core volunteer team, but they haven’t yet flooded it with numbers. I am sure some will build it into their routine; a group were running round the playground to warm up, then using the lake, and they’d be ideal. That said, the parkrun is already getting good numbers, after local publicity including a TV spot, with 160 at the first and 78 today.

Finish line
Finish line, from the other side.

The route is straightforward. Starting at the SE corner, by the lake, two laps of the field clockwise (keep the field on your right), which then goes straight into two laps of the lake, anticlockwise (keep the lake on your left). Technically, 1.9x laps of the lake, given that the lap starts back at that SE corner, and for the finish you turn right at the NE corner, galloping across the field to finish between a hedge-feature. (I don’t have a better description – see pictures for a couple of hedge features.)

Finish line
Finish line, between hedges (and, yes, a small hill created there, too).
Path heading off round the lake, surrounded by trees
The start line. Start by heading right, on the path to the right. The two laps of the lake are straight on here.

The course is almost completely flat, with changing but always good surfaces. If it’s not tarmac, it’s hard-packed mud with shingle, or brick pavement. One of the team said they were asked about a winter course, but this place has never flooded yet, so they are confident that they’ll just, as the running club has, keep running round the lake. There were a few puddles on the path, which the same person had never seen before, but they weren’t big enough to be any serious impediment. I barely even got my shoes wet.

The first two laps of the field took me to about 1.2km, so each lap of the lake is about 1.9km. We had glorious sunshine on a cold day, which makes a difference to the photos. Fewer tourists than last week, 24 first-timers and a group of ‘unknowns’ who wanted the run, but not to scan, so there’s plenty of local interest.

I shared stories with the group – mostly volunteers – in the sports hall afterwards. You never know who you’ll end up talking to; the lady who initially spoke to me in fluent Dutch turned out to be a former double Eindhoven marathon-winner, Heather MacDuff. After thinking marathons sounded daft when London started, she discovered she was pretty good at running – going from a decent 2:55 winning time in 1986, to 2:34 in 1988 – but had no luck with selection for most major competitions, always running much better times when it wasn’t so necessary. Still, her times made mine seem very modest, but she was magnificently modest about it, and just as interested in talking about parkrun.

A gaggle of birds
A gaggle of birds. More or less on the course, now it’s clear.

I didn’t talk to the other volunteers as much, but it’s clear they are all interested in running, while being very keen to support the walkers. A large group accompanied the tail-walker (Sluitloper), having a merry time, and the first person I talked to asked “Are you here to walk?” as his way of asking if I was aiming to participate, which was a great way to phrase it.

The field you run round
The field. I don’t want to go on about it, but look at those hedgey, hilly things.

Results from Karpendonkse Plas parkrun, event 2, 7/3/20.

Bonnefantenmuseum, Maastricht

Bonnefantenmuseum, a brick edifice

The Bonnefantenmuseum is on Avenue Ceramique, near the John F Kennedybrug (bridge). They have a permanent collection of Old Masters, with modern exhibits changing periodically. For me, these comprised The Absence of Mark Manders, Jan Hendrix: Terra Firme and a couple of pieces by Grayson Perry in the main entrance (though these may be more permanent). One gallery – to show Scenes from the Anthropocene, very soon – was closed, though I still easily passed a couple of hours there.

Entry is 14 Euros for adults, or 16 if you offer to pay the suggested extra donation. There are two, large, floors to look round, and a smaller third. I headed straight for The Old Masters on the first floor, in that that’s where I found myself after walking up stairs.

Denijs Van Afsloot, Winter Landscape with Skaters
Denijs Van Afsloot, Winter Landscape with Skaters, 1615-1620.

It was initially a surprise, given that it is now 2020, to spot the plaques under several artworks, to the effect that they were stolen during the Second World War, and haven’t yet been reunited with owners, or their heirs.

Plaque under some pictures: After the Second World War, this art object has been reclaimed from Germany and is currently under the governance of the State of the Netherlands, and is pending for restitution to the rightful owners of their heirs.
Reclaimed from Germany.

The paintings are varied and beautiful. Some of the faces seemed a little odd to me, though.

I headed up the stairs to check that Mark Manders was not there, and found it as advertised. His work is designed as a self-portrait, in building form. I’m not well enough educated to have followed it, but I found it interesting, as it spread from large to small exhibits, with the repeating motif of a head with a block vertically shoved in it.

The museum encourage new artists, as evidenced by this installation, also on the second floor. It isn’t as effective without the noises.

Jan Hendrix is, like Mark Manders, a Dutch Artist. He has lived in Mexico since 1978, with his work shown here, focussing on the country’s fauna. The large tapestries were rich and it was tricky to resist the temptation to touch them (though I managed it).

Black and white tapestry, of plants growing
Jan Hendrix, Tapestry.
Artwork on the walls and in display cabinets
One room of the Hendrix exhibition. It includes some of his collaboration with Seamus Heaney.

Hendrix is friends with Seamus Heaney, and they have collaborated on some lavish-looking books, with the artwork supporting poetry and displayed here.

Finally in the museum, I wandered into Stanley Donwood’s The Optical Glade, and happily took advantage of the beanbags on the floor, which gave me a view of the roof. A group of children changed the atmosphere, from quiet and reflective to boisterous and lively, as they came in and did the same. The blurb informs you that the soundtrack was created by Thom Yorke, from sounds recorded in a forest. It’s very peaceful, and slightly trippy.

Black and white lines meet in the ceiling
Ceiling of The Optical Glade.

I enjoyed my visit, and recommend the museum thoroughly. If all the galleries are open, it might take another hour, but it isn’t totally exhausting to walk through it all, though I’m sure it would reward repeated visits.

On a sunny day, the river looked beautiful, and the streets of Maastricht were winding and welcoming.

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